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For porcelain collectors, this makes dating your piece really easy.
If your piece is marked "Nippon," then it was made and imported between 18.
In 1878, the Japanese import company Morimura Brothers began distributing plain pieces of unpainted china, known as “blanks,” to be hand decorated by skilled artisans throughout Japan.
These early pieces had back stamp markings consisting of the traditional Japanese "Kanji" characters for "Nippon" (the Japanese name for Japan), as well as the word "Nippon" spelled out in English.
We get a lot of questions about Nippon backstamps and dates of manufacture. (Note: the left bottom side of the Torri mark is slightly worn, it should be even with the right bottom side of the mark.) “Pagoda Hand Painted Nippon”, no known manufacturing date(s). “Imperial Nippon”, found in blue (shown) and green.
Unfortunately, we are not experts, but we always turn to a wonderful book by someone who is for our information. “Torri Hand Painted Nippon” Found in green, blue & burgundy (shown).
Because Nippon-stamped china is highly collectible, companies are reproducing vintage Nippon patterns with the Nippon back stamp.
The above and below examples are taken from the antique-marks collection and we regularly buy and sell Noritake china, particularly examples from the 1920s and the Art Deco Period.In addition to the Nippon mark, pieces made for the U. market from 1911 to 1921 often have the letter “M” in a wreath.Pieces made for the British market are often stamped with an “X” with a vertical bar through the center, while pieces for the domestic Japanese market were usually Oriental in design and back stamped with a “Yajirobe,” a Japanese balancing toy resembling an upside-down seesaw. Morimura began stamping its import pieces with the name “Noritake” — the suburb outside Tokyo where the factory was headquartered — in 1911.Nippon porcelain refers to vases, teapots, wall plaques, humidors, and other ceramic objects stamped with the word Nippon on their bases. Japanese potters of the Nippon era, including those working at the company that became Noritake, were trained in European styles and successfully imitated the work of Limoges, Belleek, and R. Imagery on Nippon porcelains ranged from animals such as owls, horses, and dogs to elaborate splays of flowers, some rendered in a technique called coralene. Mc Kinley Tariff Act, which forbade the import of items that weren’t “plainly marked, stamped, branded, or labeled in legible English words.” Nippon is the English spelling of a pronunciation of what Americans call Japan, but in 1921, the word was ruled Japanese in origin, so Nippon was no longer accepted by U. Today, Nippon-marked porcelain tends to have a higher value than pieces marked Japan, which means collectors should be wary—demand for Nippon porcelain has created a market for pieces with fake transfer-based marks. These pieces, meant to be sold to the United States, were hand-painted in an elaborate manner that didn’t appeal to the spartan Japanese tastes of the day.